We're Studio SC, an environmental graphic design firm based in Seattle.
In our work, we love to create dialogues between people and their environments, through everything from signage and graphics to print and identity. We hope to create dialogues here too, by sharing things that inspire us, cool industry news, and our projects.
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Posts tagged “Signage”

Seattle Center’s Next Fifty Celebration

This year is the 50th anniversary of the Seattle World’s Fair—the 1962 event that saw the construction of the city’s iconic Space Needle, among other things. Beginning this month, the city is marking the occasion with the Next Fifty Festival, a six-month-long event celebrating the history of the Seattle Center and looking toward its next fifty years.

We created a place-making and identification system for the celebration that includes a family of pylons, wall-mounted signs, and painted ground graphics that will identify zones and activities throughout the Seattle Center’s campus. Twelve-foot pylons identify the three zones—the Next Fifty Plaza, the Intiman Playhouse, and the International Fountain Pavilion—and eight-foot pylons identify specific activities and also serve as directional signs.

Events will focus on a range of topics including the arts, science and technology, civic action, global health, and more. Each zone will feature a variety of events as the community gathers to engage in a dialogue about how to harness the city’s creative energy to face the new priorities, challenges, and opportunities of the future.

  • Posted 1 month ago
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A New Product for Urban Envrionmental Graphics

Signage in urban environments definitely takes a beating—its affected by everything from weather damage to pedestrian interaction—and upkeep can be costly. That’s why we were intrigued when we learned about Système Huntingdon, Inc’s Alto product line.  

This system of sub-surface graphics offers an interesting solution to the exterior signage problem. Système Huntingdon’s unique digital transfer method embeds graphics into architectural materials through a heat-and-vacuum process—essentially making the graphics part of the material. This can be done on flat, textured, or three-dimensional surfaces, embedding graphics into materials such as aluminum, steel, glass, or ceramics. 

A product like this would be great for urban environmental graphics and other signage installations in areas with high pedestrian traffic because the signs will be graffiti-resistant and offer both weather- and UV-protection. The process is also environmentally friendly—it doesn’t emit VOCs, and it uses water-based inks and recyclable base materials.

We’re considering this for our Pacific Avenue wayfinding project because the city of Tacoma is concerned about long-term maintenance. Have you had any experience with these or similar products? We’d be interested to hear about it in the comments section!

Image: An example of Système Huntingdon’s products used in urban environmental graphics.

  • Posted 3 months ago
  • Tagged with: Environmentsenvironmental graphic designexteriorsnew productssignagewayfinding
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Sign Prototyping at Seattle Children’s

After working on the Seattle Children’s Hospital project for over a year, we’ve finally had a chance to see some of our signs in the environment.

We worked with Image Mill, a local fabricator, to produce temporary signs to test for legibility, color, consistency, size, cap height, and clarity. The signs were placed in a low-traffic area of the hospital for a single test day.  This allowed the design team to see how the signs looked at full size in the environment and provided doctors and patient-families an opportunity to experience the wayfinding paths and offer feedback.

This process of testing, feedback, and streamlining is part of Continuous Performance Improvement, an efficiency strategy that Children’s employs. CPI is a theory of customer-focused and efficiency-minded principals—inspired by the Toyota Way—geared toward eliminating waste and increasing value to customers through continuous small improvements.

“Children’s CPI culture means that the they are fully engaged in the design process,” says Mark Sanders, project director. “Hospital leaders see a strong wayfinding program as a significant benefit to families, hospital staff, and the bottom line.”

The overall response within the hospital was extremely positive, says Project Manager Cynthia Hall. “The signs were really well received,” she says. “We learned a lot about how the signs function in the environment and how the users interact with them, all of which will be helpful as we further develop designs and move into fabrication.”

As we work to refine the signage package for both the Building Hope expansion and the campus master plan, we’re also partnering with a team of illustrators, Oakland, CA-based Lab Partners, to create artwork that will help identify each zone of the hospital and reinforce the wayfinding program. The artwork they’ve created thus far is a wonderful combination of nature and nurturing elements that reflect Children’s Pacific Northwest identity.

  • Posted 5 months ago
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South Puget Sound Community College

When South Puget Sound Community College decided to consolidate its student services into a newly remodeled building called 22 College Center, it wanted an interior environmental graphics program that would clearly identify departments, reflecting the school’s identity and the special qualities of its location.

SPSCC sits on 101 wooded acres in Olympia, Washington. The College Center is located at the heart of campus, and will house several departments, including student services, advising, and the library. We created a graphic program centered on an image of Evergreen trees, to reflect the college’s unique surroundings. This graphic appears throughout the building, calling out departments with a highly visible, tone-on-tone blue graphic band—a visually interesting way to integrate the school’s colors into the program.

One department that receives special graphic treatment is Student Services. The two-level building has an open central atrium, so the Student Services department on the second floor is visible from the lower level. The large-scale, eye-catching panel identifies the department and includes a typographic treatment listing the services offered.

By reinforcing the school’s identity through a clear department identification system, this program will help enhance the new building, creating a graphically interesting space that inspires school spirit.

Renovations will begin in December and the building, which is being designed by SRG Partnership, is slated for completion by July 2013.

  • Posted 7 months ago
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  • Tagged with: new workprojectsSignagegraphics
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Weekly Roundup

This week, we’re checking out Park(ing) Day, a grassroots plan to bring light to a small village, and a logotype lesson from Doyald Young.

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What a fascinating and simple way to let some light in.

Charles Schulz reminds us that there’s a little bit of Charlie Brown in everyone.

A glimpse into the creation of Coca-Cola’s first neon sign at Piccadilly Circus.

Doyald Young talks about his life and the art of logotype design.

He’s a deep-sea diver/race car driver/pianist/Judo master. Oh, and also, the former president of Russia.

We just checked out some of the Seattle “parks” for 2011 PARK(ing) Day. What’s going on in your city?

Image: Coca-Cola’s sign at Piccadilly Circus (via Creative Review).

  • Posted 8 months ago
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SC in the DJC & Benefits of Everett Community College’s New Wayfinding Program

Today’s Daily Journal of Commerce ran an article about our work at Everett Community College:

Seattle-based Studio SC said it has completed a campus wayfinding program for Everett Community College in Everett.

The navigation system also reinforces the college’s identity through strategic placement of signage and use of materials that reflect the modern industrial character of the campus’s newer buildings.

“Everett Community College was our latest project where environmental graphics have become a critical part of business owners’ brand and image campaign,” said Mark Sanders, Studio SC principal.

Mark’s reflections above are supported by reactions from Pat Sisneros, vice president of college services at Everett Community College. Sisneros says he’s already seeing the benefits of the wayfinding program after only a few months. “The signage is beautiful, simple, and highly visible,” Sisneros says. “It enhances the look of the college and really brings the campus together.” He has received a lot of feedback from people who say the signage program has made navigating campus easier. “The clarity of the signs and maps helps everyone—students, faculty, alumni, visitors—easily understand where they are in relation to where they want to go,” he says.

The impacts that Sisneros has noticed—cleanly integrated signage and improved navigation around campus—are just some of the benefits of a well-designed environmental graphics program that help create a positive image for an organization.  Plus, these changes are an economical way to help any organization, from schools to corporations to hospitals, connect with users and stand out against their competition.

Check out more information about our work at EvCC here.

  • Posted 1 year ago
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SOUTHERN UTE CULTURAL CENTER AND MUSEUM

This spring, the Southern Ute Cultural Center and Museum will open in Ignacio, Colorado. We designed the environmental graphics and wayfinding signage program for the new building—a 51,000-square-foot structure honoring the history, culture, and language of the Southern Ute people.

The cultural center and museum, designed by Jones & Jones Architects, sits on the tribe’s Southwestern Colorado reservation. The building design recalls the Southern Utes’ culture and history: a welcome gallery is housed in a conical structure that’s evocative of traditional tribal homes, flanked by two wings whose sloped rooftops reflect the sacred symbol of the eagle. We extended these architectural cues to our design for the environmental graphics and the interior and exterior wayfinding signs.

Large concrete markers throughout the campus feature etched typographic directional information, guiding visitors around the space and creating a connection with the environment. Post-and-panel signs evoke the portable structures built by the nomadic Southern Utes.

To create a sense of “place,” the Ute language is incorporated into the signage, serving as a constant reminder that the center is a space to celebrate the Southern Ute culture. The directional and identification signs, along with the concrete markers, feature both English and Ute. Conversational phrases or questions—such as “Do you speak Ute?”—appear throughout the building as a way to create connections between people and the environment.

Tribal history and culture, such as traditional clothing styles, is referenced in custom-designed symbols that appear on the signage. To highlight beadwork—a significant part of Southern Ute culture—and encourage the tribe to interact with and personalize the environment, room ID signs feature removable tray inserts where students and other tribe members can display beadwork they’ve created. 

SC’s goal was to create an integrated and meaningful signage and graphics program that would enhance the building’s function as both a learning center for visitors and a cultural touchpoint for tribe members, says Design Director Billy Chen.

“The graphics and signage program nicely complements the complex architecture of the building,” says Chen. “The result is a really immersive experience that, with the help of our environmental graphics program, celebrates the culture and history of the Southern Ute tribe.” 

  • Posted 1 year ago
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Weekly Roundup

This week, we’ve been wowed by Sharpie murals, giant office supplies, and a colorful vacation spot.

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No more generic white envelopes — the Oscar envelope finally gets a Hollywood makeover

To illustrate the likely office divisions in this empty building, Radford Wallis used some unconventional “signage.”

Who needs wallpaper when you’ve got cream walls as your canvas, $10 worth of Sharpies, and the art talents of this guy?

A South LA high school uses street art to give students a unique voice.

Make your European vacation a bit more colorful with a stop at Brussels’ Pantone Hotel.

Who’d have thunk that just pouring paint out of cups would look so cool?

  • Posted 1 year ago
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Weekly Roundup

This week a street artist wins the TED prize, the Brits bring us two examples of clever typography, and we learn about the psychology behind the layout of a school cafeteria…

Street artist (or, as he likes to call himself, “photograffeur”) JR wins the 2011 TED prize.

Beautifully designed illuminated letters that tell a story.

An interesting series of articles about signage and the future of finding your way around.

Stephen Fry has a thing or two to say to language pedants (and it all plays out in a cool typographic video).

The psychology of the school lunch line.

Image: JR’s images on the facades of homes in Rio de Janeiro. Courtsey JR/Agence VU.

  • Posted 1 year ago
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Weekly Roundup

PARK(ing) Day 2010 photo by Jacob D.

Turning parking spots into parks, roadside haikus, and the other stories that caught our eye this week.

Happy PARK(ing) Day! All over the country, people are turning parking meters into parks for the afternoon.  

Paula Scher’s large-scale typographical map paintings installed in the atrium of a Queens school campus. (Pentagram)

Reflections on the waterfront design presentations. (DJC)

Poetic “bandit signs” in Atlanta that aren’t advertising loans, but positivity. (GOOD)

Take a tour of the Victoria & Albert Museum with your favorite celebrity. Well, at least follow a map of their favorite sites and items. (via @jrez)

Great photos of signs were submitted to Smashing Magazine’s World of Signage contest. (Smashing Magazine)

  • Posted 1 year ago
  • Tagged with: weekly rounduptypographymapssignagephotographyseattle
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Weekly Roundup

Colorful murals, personalized music videos, and the other stories that caught our eye this week.

Thanks to artist Todd Lown and the kids at ArtsWorks (a great organization for at-risk youth), Fremont has a new brightly colored mural (above, photo by William Anthony).  (Unurth)

A German photographer/physicist uses slow shutter speed to capture cool images of fireflies. (Daily Mail, via @feltron)

New dynamic signage at Lincoln Center is a great integration of media and information. (New York Times)

Violators of Toronto’s billboard restrictions had their ads turned into art. (WebUrbanist)

Experience Arcade Fire’s “Suburbs” in a totally personalized way, thanks to Google Chrome & Chris Milk. (Core 77)

  • Posted 1 year ago
  • Tagged with: weekly roundupstreet artsignage
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