We're Studio SC, an environmental graphic design firm based in Seattle.
In our work, we love to create dialogues between people and their environments, through everything from signage and graphics to print and identity. We hope to create dialogues here too, by sharing things that inspire us, cool industry news, and our projects.
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Posts tagged “wayfinding”

WAYFINDING AT EVERETT COMMUNITY COLLEGE

In 2009, we began working with Everett Community College to create a comprehensive wayfinding program for the campus. Our primary focus was to craft a system to provide students and faculty with clear navigation around campus, with an emphasis on guiding the first-time visitors and new students who arrive each quarter to important locations. We also sought to create a program that would reinforce the college’s identity, bringing together both traditional and modern elements.

We created a series of directories, identification signs, and directionals to be strategically located throughout the campus. Overall, we wanted to ensure the signs provided clear directions to key campus locations—such as the Admissions Office, the Bookstore, and classrooms.

To further assist with wayfinding, we integrated building abbreviations—which the school was already using on students’ schedules—into the wayfinding program. By incorporating the abbreviations into the building identification signage, we’re reinforcing the school’s system, says designer J.J. Beard, who worked on the project. “Now students are reassured they’re in the right place because the building abbreviation on their schedule also appears at the building entry.”

These changes will help improve wayfinding experiences on campus, which can have a great impact on people’s perceptions of the college, says Studio SC principal Mark Sanders. “If visitors can easily navigate a campus and find their destinations, they’re likely to have a better impression of the school,” he says.

As Everett’s campus has expanded over the years, new buildings have been built that combine traditional brick materials with modern architectural design. To create signs that feel like they reflect the image of the environment, we channeled the modern, industrial character of the campus into our program. The signs feature clear graphic layouts, and they express—rather than hide—the structural components by leaving exposed the I-beams and T-bars that support the information panels.

Because the design of campus is reflected in the design of the signs, they easily integrate into the landscape, giving the campus a professional, unified feel. Most importantly, the efficient signage provides clear navigation to and identification of destinations, which fosters a positive image of the college as an organization that’s professional, well organized, and cares about its students and its community.

  • Posted 1 year ago
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  • Tagged with: projectswayfindinggraphicsmapsenvironmental graphic designNew work
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Weekly Roundup

We hope everyone had a happy Thanksgiving! Over the past few weeks we’ve been staying warm by our computers, amusing ourselves with Star Wars typography, wayfinding apps, cigarette warning labels, and more.

These are not the semicolons you’re looking for.

Meet the Google Doodlers.

Why are so many architects short?

Michael Beirut on typography.

Lost? There’s an app (or several) for that.

Crayons aren’t just for coloring book art.

Slate readers offer their own designs for the new cigarette warning labels.

Image: Star Wars posters by H-57 Creative Station.

  • Posted 1 year ago
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  • Tagged with: weekly rounduptypographyvideowayfindinggraphic design
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Weekly Roundup

This week a street artist wins the TED prize, the Brits bring us two examples of clever typography, and we learn about the psychology behind the layout of a school cafeteria…

Street artist (or, as he likes to call himself, “photograffeur”) JR wins the 2011 TED prize.

Beautifully designed illuminated letters that tell a story.

An interesting series of articles about signage and the future of finding your way around.

Stephen Fry has a thing or two to say to language pedants (and it all plays out in a cool typographic video).

The psychology of the school lunch line.

Image: JR’s images on the facades of homes in Rio de Janeiro. Courtsey JR/Agence VU.

  • Posted 1 year ago
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Creating Clarity at Seattle Children’s

Early in the Discovery Phase of the Seattle Children’s Hospital project, we realized one important thing about the client team: they understand that a truly successful wayfinding program requires a holistic and integrated system of components.  

And we couldn’t agree more. A wayfinding system that considers signage, architectural elements, people, and artwork is far more effective than one that views the signage as a solitary element—because in any wayfinding program all of these aspects impact each other.  

According to Project Director Mark Sanders, one aspect we sometimes see overlooked is artwork. “When artwork is integrated into an environment’s design, it can not only add depth to a space, but also support a wayfinding program,” he says. Artwork can also offer wayfinding cues by reinforcing themes and zones, and, in the case of Seattle Children’s, can serve as a distraction for visitors who may spend several months at the hospital under stressful conditions.

We recently wrapped up the Discovery Phase of the Children’s project. We assessed existing conditions at the hospital, conducted extensive interviews with staff about the problems of the current system, and learned about their hopes for an improved wayfinding system. One big take-away was that although the hospital had in place many components of a successful wayfinding program, there is an opportunity to improve clarity and reduce confusion, stress, and wasted time.

As designers, we’re always striving to bring clarity to an environment and to our client’s image. When creating an effective wayfinding program, we research, organize information, and determine hierarchy, all of which leads to reduced clutter and increased clarity. This search for precision and efficiency turns out to be very similar to the efficiency strategy Seattle Children’s has integrated into its daily operations.

This strategy—Continuous Performance Improvement, or CPI—was inspired by a set of principals called the Toyota Production System. Created by Toyota between 1948 and 1975, the system is a series of customer-focused and efficiency-minded principals to eliminate waste in its processes and increase value for customers through continuous small improvements. Seattle Children’s figured these ideas could also be applied to healthcare (a recent New York Times article details the process), and successfully lessened waste, saved money, and increased visitor satisfaction.

Throughout the entire design process, we’ll continue to be CPI-minded. We, just like Seattle Children’s Hospital, want patients, families, visitors, and staff to feel their environment provides comfort, efficiency, and inspiration. We want the compassion of the Seattle Children’s staff to be apparent through the wayfinding program, for people to feel engaged by the artwork and interpretive wall graphics, and to ensure that our wayfinding system alleviates stress and leads to a positive experience at the hospital.

This is only the beginning of a very large project, and we’ll be sharing updates along the way (here, and on Facebook and Twitter). If you’ve worked on a healthcare project and have any helpful advice, we’d love to hear it! Or if you have any questions for us, just let us know!

  • Posted 1 year ago
  • Tagged with: Seattle Children'sprojectswayfindinghopsital
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This spring, Studio SC worked with the Alliance for Pioneer Square (formerly, the Pioneer Square Community Association) and the Downtown Seattle Association to revamp the Pioneer Square map and visitor’s guide.

The main goal of the new guide was to “simplify and clarify the map,” and also to convey the excitement of Pioneer Square, says SC designer Faith Berry, project manager for the guide. “The older maps didn’t really get across the feeling of Pioneer Square, which has this cool history, but is also very modern and vibrant. So we wanted to add a little bit more life to it.”

To illustrate the blend of the historical and the modern in Pioneer Square, the new map pairs two distinct typefaces: Rockwell, a block typeface, which evokes the classical aspects of the area, and Gotham, a clean, contemporary typeface that’s often associated with modern architecture.

The orientation of the map was a priority, because in previous versions the layout was confusing, especially for tourists arriving on cruise ships—the piers are to the west of Pioneer Square, but the old maps didn’t make that very clear. To make the piers a more obvious reference point, SC expanded the map and displayed it horizontally instead of vertically. SC also included an inset map of downtown Seattle to show how Pioneer Square connects to the rest of the area.

The new guide also features more than twice as many business listings as the last guide, as well as more detailed information about some of Pioneer Square’s landmarks.

Studio SC is among the many businesses on the map that call Pioneer Square home, and the designers enjoyed working on a product to help the area. “This is our neighborhood,” Faith says, “so on a daily basis we get to see the impact the map is having on the community and how it’s helping visitors enjoy the area.”

Stay on top of the happenings in Pioneer Square by following the Alliance (@pioneersquare) on Twitter.

  • Posted 1 year ago
  • Tagged with: new workPioneer Squareinformation designmapswayfindinggraphic design
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Washington State University’s Olympia Avenue student housing project—for which we did the wayfinding, identity, and educational graphics—just won an award for best campus housing project at the Pacific Coast Builders Conference (PCBC) in San Francisco in June. The awards, called Gold Nuggets, recognize builders, developers, architects, and land planners with projects in the 14 western states and all international countries.

Read more about the work we did on the Olympia Avenue project and check out some photos here.

  • Posted 1 year ago
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Located in the heart of Anchorage’s energy and technology district, 188 Northern Lights Boulevard is a modern mixed-use office and retail complex. We worked closely with the developer and architects to create a holistic graphic identity for the project. Environmental graphics expand on the building’s double-eight identity and the Northern Lights street address. The double-eight pattern used throughout the program is reminiscent of innovative technology, energizing the project and reflecting the business of building occupants.

A graphic lightbox above the lobby surrounds the retail podium of the project, utilizing pattern, light and shadow to add impact both day and night. Bringing an element of warmth to contrast the Alaskan winter climate, glass panels with integral graphics wrap the core of the structure, creating a glowing orange beacon that draws occupants and visitors into the building. Integrated architectural graphics, from wayfinding and identity components to public space amenities and finishes, have transformed this project into a landmark building.

  • Posted 2 years ago
  • Tagged with: 188 Northern LightswayfindingEnvironmental Graphic Designnew work
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Architecture of the Unbuilt
Cheng+Snyder’s Phantom City iPhone application allows users to experience a skyline that never was. From a mile-high dome covering Midtown Manhattan to an airport at Battery Park, the Museum of the Phantom City features projects from New York’s past that were either abandoned or simply designed never to be built (case in point: Continuous Monument, a 1969 concept design in which the entire city would be enclosed in glass). Through interactive features that alert users to the presence of phantom buildings around them, the application serves as a walking tour of public art that never was.Interactive historical mapping exists to a degree with user-generated Google maps, but Phantom City turns the iPhone into a sort of dousing rod, uncovering invisible histories as users move around the city and alerting them to sites with particularly compelling pasts. It’s easy to imagine a whole slew of applications like this, transforming daily commutes to Wikipedia in real time. Our favorite? Alfred Beach’s abandoned pneumatic subway tube circa 1870.(Phantom City via NYT)

Architecture of the Unbuilt

Cheng+Snyder’s Phantom City iPhone application allows users to experience a skyline that never was. From a mile-high dome covering Midtown Manhattan to an airport at Battery Park, the Museum of the Phantom City features projects from New York’s past that were either abandoned or simply designed never to be built (case in point: Continuous Monument, a 1969 concept design in which the entire city would be enclosed in glass). Through interactive features that alert users to the presence of phantom buildings around them, the application serves as a walking tour of public art that never was.

Interactive historical mapping exists to a degree with user-generated Google maps, but Phantom City turns the iPhone into a sort of dousing rod, uncovering invisible histories as users move around the city and alerting them to sites with particularly compelling pasts. It’s easy to imagine a whole slew of applications like this, transforming daily commutes to Wikipedia in real time.

Our favorite? Alfred Beach’s abandoned pneumatic subway tube circa 1870.

(Phantom City via NYT)

  • Posted 2 years ago
  • Tagged with: wayfindingarchitecture
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